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All these folks do excellent quality work for me.Īs an Authorized Dealer with the Emmons Guitar Company, I can provide sales of new Emmons guitars and parts. I even have a Luthier, who can provide cabinet repair and lacquer refinishing.
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I have on-going working relationships with several local professionals, including a Plating company, Polishers, Welders and Machinists. I work on all brands of pedal steel guitars, whether they are all-pull, such as an older Sho-Bud, a newer Emmons LeGrande or ZumSteel, or an Emmons Original push-pull. If you’ve purchased a used pedal steel for example and need the copedent revised, pedals or knee levers added, removed or moved, I can take care of your needs. The services I can provide for you include everything from a routine set-up, adjustment and lubrication to a partial or total restoration of your guitar. It makes such a world of difference when a guitar works properly, as it allows you to actually concentrate about what you’re playing rather than trying to play a guitar that’s not quite doing its job! I treat all of my customer’s guitars that I work on as if they were my own and believe me I’m very particular about my own guitars! I know what a difference it makes when a pedal steel guitar is set up and adjusted properly, so you can then play at your very best. As well as a Steel Guitar Technician, I’m also a pedal steel player with over 30 years of experience doing both. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.Welcome and thanks so much for visiting! My name is Lynn Stafford and I look forward to helping you. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price).
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